The tone chemise in the second half of the novel, when we follow John ’ s fib and Huxley ’ s tone become more admire and besides more emotionally invested. here, the irony shifts from the characters ’ ignorance about their own circumstance, to their ignorance about John. Most of the characters consider John a savage, and his practices uncivilized, but Huxley ’ s sympathetic spirit suggests John is in fact the only civilized character in the book. For model, when Linda is dying, John is wracked with conflicting memories of his childhood : “ there was only a hateful resurrection of jealousies and uglinesses and miseries… He tried to think about times when he sat on her knee… ” This inner tone suggests that John ’ s clamber to reconcile conflicting feelings makes him fully human. Near the end of the fresh, John becomes more extreme point in his conflict to overcome his human impulses, such as lust and the desire for consolation. By contrasting the thoughtless cruelty of the photographer, who hopes to get a commodity shot of John whipping himself ( “ it would be a fantastic film… about equally estimable as the Sperm Whale’s Love Life” ), with John ’ randomness self-destructive distress, Huxley suggests that John ’ s choice to kill himself is tragic, yet apprehensible.
The timbre of Brave New World is initially sardonic and dispassionate, signaling the reviewer to remain doubting about the whether World State is actually a bang-up locate to live. Huxley creates this tone through incongruous imagination, such as “ the air was drowsy with the mutter of bees and helicopters, ” or the descriptions of stars as “ depressing. ” We don ’ thyroxine normally consociate helicopters with sleepiness, or stars with depression, so these jar descriptions clue us to not take the story at face value. The fact that the residents of World State have been conditioned to find helicopters soothing and nature faze, while the reader has the reverse reactions, creates a distance between the subscriber and the characters. The tone suggests that the reader understands what is actually going on better than the people we are reading about, and we should therefore compassion them for their ignorance. For model, when the “ Epsilon-Minus Semi-Moron ” elevator man takes a load of passengers to the roof, he seems confused by his reaction to sunlight and fresh air : “ He was as though abruptly and gleefully awakened from a colored eliminate stupor. ” The reader understands the injustice of the serviceman ’ sulfur sunlight-deprived universe, but the man himself returns to “ the twilight of his own accustomed grogginess ” without complaint.